Studio Bankside (1970), 6 perc. Miss Gaby (1971–1972), 5 perc. A Journey to Avebury (1971–1972), 10 perc. A Garden in Luxor (Garden of Luxor, Burning the Pyramids) (1972), 6 perc. Andrew Logan Kisses the Glitterati (1972), 8 perc. The Art of Mirrors (Sulphur) (1973), 10 perc. Tarot (The Magician) (Christopher Hobbsszal) (1973), 10 perc. In the Shadow of the Sun (1973–1980), 54 perc. The Devils at the Elgin (Reworking the Devils) (1974), 15 perc. Fire Island (1974), 5 perc. Ula’s Fete (Ula’s Chandelier) (1974–1975), 10 perc. Duggie’s Fields (1974–1975), 10 perc. Sloane Square (Removal Party, A Room of one’s Own) (Guy Forddal) (1974–1976), 12 perc. Corfe Film/Troubadour (1975). Sebastiane Wrap (1975), 6 perc. Gerald’s Film (1975), 5 perc. Picnic at Ray’s (1975), 10 perc. Houston, Texas (1976), 10 perc. Jordan’s Dance (1977), 1 perc. Every Woman for Herself and All for Art (1977), 1 perc. The Pantheon (1978). T. G.’s Psychic Rally in Heaven (1980), 8 perc. Jordan’s Wedding (1981). Ken’s First Film (1982). Pirate Tape (1982), 25 perc. Pontormo and the Punks at santa Croce (1982), 10 perc. Waiting for Waiting for Godot (1982–1983), 10 perc. B2 Film (1983), 35 perc. The Dream Machine (1983–1984), 35 perc. Imagining October (1984), 27 perc. Catalan (1984), 7 perc. Louise (1987), 5 perc. (Az Aria címû operafilm része.) L’Ispirazione (1988), 2,5 perc. Pet Shop Boys Tour Film (1989), 40 perc. Glitterburg (1994), 52 perc. Marianne Faithful (Broken English; Witches’ Song; The Ballad of Lucy Jordan), 1979. Psychic TV (Diese Machine ist meine antihumanistiches Kunstwerk), 1982. Carmel (Willow Deep for Me), Steve Hale (Stop the Radio), Wang Chung (Dance Hall Days), Lords of the New Church (Dance with Me), Jimmy the Hoover, Billy Hyena (Wide Boy Awake), 1983. Marc Almond (Tenderness Is a Weakness), Orange Juice (What Presence), 1984. Brian Ferry (Windswept), 1985. Smiths (Ask; The Queen Is Dead; There Is a Light that Never Goes Out; Panic), Easterhouse (Whistling in the Dark; 1969), 1986. Bob Geldof (I Cry Too; Pouring Rain), Pet Shop Boys(It’s a Sin; Rent), Mighty Lemon Drops, 1987. Patti Smith, Suede (The Next Life), 1993.   Sylviano Busotti: L’Ispirazione (Firenze, Teatro Communale, 1988) William Shakespeare: Julius Caesar (Canford School, 1960) Arthur Miller: Salemi boszorkányok (King’s College, 1962) Henrik Ibsen: A társadalom támaszai (King’s College, 1962) Federico García Lorca: Vérnász (King’s College, 1962) William Shakespeare: Szeget szeggel (Slade School of Art, 1964) Igor Sztravinszkij: Orfeusz (Slade School of Art, 1965) Ben Jonson: Volpone (Slade School of Art, 1966) Lt. Kije (Slade School of Art, 1966) Jean-Paul Sartre: Zárt tárgyalás (Slade School of Art, 1966) William Shakespeare: Athéni Timón (Slade School of Art, 1966) Jurij Prokofjev: A tékozló fiú (Slade School of Art, 1966) La Ronde (London Drama Centre, 1966) Richard Rodney Bennett: Jazz Calendar (Royal Opera House, 1968) Wolfgang Amadeus Mozart: Don Giovanni (Coliseum, 1968) Throughway (Ballet Rambert, 1968) Poet of Anemones (Royal Court Theatre, 1969) The Beach (Collegiate Theatre, Yolanda Sonnabenddel 1969) 4 Minds (Drill Hall, 1969) Morton Subotnik: Silver Apples of Moon (London Festival Ballet, 1973) Tom Jobes: One (London Contemporary Dance, 1980) Jonathan Gems: The Secret of the Universe (Institute of Contemporary Arts, 1980) Igor Sztravinszkij: A léhaság útja (Pergola Theatre, 1982) Micha Bergese: Mouth of the Night (Mantis Dance Company, 1985) Samuel Beckett: Godot-ra várva (Queen’s Theatre, Madeleine Morrisszal, 1991) Jean Genet: Cselédek (Maison Bertaux Theatre, Nicole Robinsonnal, 1992) Ken Russell: Ördögök (1970) Ken Russell: Savage Messiah (1972) Ken Russel: Nescafé-reklámfilm (1976) Northwood, True Lovers’ Knot Pub, 1960. Watford, Watford Central Library, 1961. London, Rimmel Gallery, 1966. London, Lisson Gallery, 1969. London, Sarah Bradley’s Gallery, 1978. London, Edward Totah Gallery, 1982. London, Institute of Contemporary Art, 1984. London, Richard Salmon Gallery, 1987. Belgrád, Dom Kulture, Studenski Grad, 1988. London, Richard Salmon Ltd., 1989. Paris, Accatone, 1989. Barcelona, Galeria Ambit, 1989. Edinburgh, Richard Demarco, 1989. Tokió, Terada Warehouse Space T33, 1990. London, Design Museum, 1991. Glasgow, Art Gallery and Museum, 1992. Manchester, Manchester City Art Gallery, 1992. London, Karsten Schubert Ltd., 1992. Róma, Palazzo delle Esposizione, 1993. Potsdam, Filmmuseum, 1993. Penzance, Newlyn Art Gallery, 1993. New Romney, The Marsh Gallery, 1993. Portland, Chesil Gallery, 1994. Manchester, Whitworth Art Gallery, 1994. Canterbury, Drew Gallery, 1994. London, Barbican Art Gallery, 1996. Newcastle upon Tyne, Hatton Gallery, 1996. Norwich, Sainsbury Centre for Visual Arts, 1996. Cardiff, Chapter Arts Centre, 1996. A Finger in the Fishes Mouth. Bettiscombe: Bettiscombe Press, 1972. Dancing Ledge. London: Quartet, 1984. (Részletek magyarul Forgách András válogatásában és fordításában: Szakadéktánc. Filmvilág 34 (1991) no. 6. pp. 4–13.) Special Collection. London: British Film Institute, 1984. Derek Jarman’s Caravaggio. The Complete Film Script and Commentaries by Derek JArman. London: Thames & Hudson, 1986. The Last of England. (David E. Hirst ed.) London: Constable, 1987. (Részletek magyarul Csáky Marianne fordításában: Kisanglia. Filmvilág 34 (1991) no. 11. pp. 1–14. és Zsúrasztali lektûr. ibid. pp. 15–17., valamint az Anglia alkonya szövegkönyve: Szellemkép 3 (1991) no 5. pp. 2–4.) War Requiem. London: Faber and Faber, 1989. The Exhibition of Derek Jarman’s ‘Luminous Darkness’. Tokió: Uplink, 1990. (Kiállítási katalógus.) Today and Tomorrow. London: Richard Salmon, 1991. (Kiállítási katalógus.) Modern Nature. The Journals of Derek Jarman. London: Century, 1991. (Részletek magyarul Fésôs András fordításában: A paradicsom madarai. Filmvilág 38 (1995) no. 11. pp. 20–28.) Today and Tomorrow. London: Richard Salmon, 1991. Queer Edward II. London: British Film Institute, 1991. A kert (forgatási jegyzet). Szellemkép 3 (1991) no 5. pp. 5–10., illetve A kert (szövegkönyv). ibid. pp. 11–13. At Your Own Risk. A Saint’s Testament. London: Hutchinson, 1992. Queer. Manchester: Manchester City Art Galleries, 1992. (Kiállítási katalógus.) Wittgenstein. The Terry Eagleton Script. The Derek Jarman Film. London: British Film Institute, 1993. Blue. Text of a Film by Derk Jarman. London: British Film Institute, 1993. (Magyar fordítása: Blue. (Takács Ferenc ford.) Bp.: Budapest Film, 1995. Részletek Nemes Anna fordításában: Blue. Filmvilág 37. (1994) no. 5. p. 11., illetve Takács Ferenc fordításában: Blue. Pannonhalmi Szemle 3 (1995) no. 2. pp. 78–79.) Chroma. London: Century, 1994. (A Translucence és Iridescence c. fejezetek, Nádasdy Ádám fordításában: Irizáló színek, illetve Áttetszôség. Metropolis 1 (1997) no. 3. pp. 65–69. A Blue címû film szövegkönyvével azonos Into the Blue c. fejezet fordításait ld. fentebb.) Evil Queen. Manchester: Whitworth Art Gallery, 1994. (Kiállítási katalógus.) Derek Jarman’s Garden. London: Thames & Hudson, 1994. Howard Sooley fotóival. Up in the Air. Derek Jarman’s Collected Film Scripts. London: Vintage, 1996. Kicking the Pricks. London: Vintage, 1996. (A The Last of England új kiadása. A Hope c. vers Nádasdy Ádám fordításában: Remény. Metropolis 1 (1997) no. 3. pp. 101–103.) Derek Jarman. A Portrait. Artist, Film-maker, Designer. London: Thames & Hudson, 1996. (Kiállítási katalógus.) The Linear Quality of English Art. Lucifer (1962) London: King’s College. Notes Found on the Body of a BA Student. Lucifer (1963) London: King’s College. P. P. P. in the Garden of Earthly Delights (forgatókönyv). Afterimage (1985) no. 12. pp. 22–25. Silence Is Golden (Nijinski’s Last Dance) (forgatókönyv). Afterimage (1985) no. 12. pp. 26–29. Freedom Fighter for a Vision of Truth. The Sunday Times (17 January 1988) p. C9. Battle of Britten. Radio Television 260 (1989) no. 3406. p. 8. Saintly Passion. New Statesman & Society 2 (1989) no. 80. pp. 10–12. Queer Questions. Sight & Sound 2 (1992) no. 5. pp. 34–35. Get the Rubber Habit! The Sisters of Perpetual Indulgence. London: Blase, 1994. Jarman elôszavával, Denis Doran fotóival. Garden. Sight & Sound 5 (1995) no. 8. p. 35. Jack Hazan: A Bigger Splash (1973) Ron Peck: Night Hawks (1978) Stephen Frears: Prick Up Your Ears (1986) Dave Lewis: Dead Cat (1989)