Válogatott bibliográfia Atom Egoyanról

Open House
  • Churchill, D.: Open House. Cinema Canada (July–Aug. 1983) no. 98. p. 31.

Next of Kin [Közeli rokon]

  • ‘Kaja’: Next of Kin. Variety 316 (3 Oct., 1984) no. 10. p. 24.
  • Malloch, B.: Next of Kin. Cinema Canada (Dec. 1984) no. 113. p. 31.

Family Viewing [Családi mozi]

  • Barker, Adam: Family Viewing. Monthly Film Bulletin 55 (Oct. 1988) no. 657. pp. 299–300.
  • Caputo, Raffaele: Family viewing. Filmnews 18 (Sept. 1988) no. 8. p. 12.
  • Collesei, F.: Black comedy. Cinema Nuovo 38 (May–June 1989) no. 3 (319) pp. 48–50.
  • Fourlanty, Ëric: Family Viewing. Séquences (March 1988) no. 133. p. 47.
  • Grugeau, Gérard: Le chant des sirčnes. 24 Images (Winter 1987–88) no. 36. pp. 24–25.
  • ‘Rich’: Family Viewing. Variety 328 (23 Sept., 1987) no. 9. p. 30, 37.
  • Sartor, Freddy: Een hallucinant familiekiekje. Film en Televisie (May–June 1989) Nos. 384–385. p. 15.
  • Strick, Philip: Family Viewing. Films & Filming 34 (Oct. 1988) no. 409. pp. 34–35.
  • Taggi, Paolo: Black Comedy. Segnocinema 9 (March 1989) no. 37. p. 32.
  • Zuilhof, Gertjan: Why Don’t You Watch T.V. with Me. Skrien (April–May 1989) no. 165. p. 25.

Speaking Parts [Szöveges szerepek]

  • ‘Adil’: Speaking Parts. Variety 334 (10 May, 1989) no. 4. p. 24.
  • Barker, Adam: Speaking Parts. Monthly Film Bulletin 56 (Sept. 1989) no. 668. pp. 283–284.
  • Curone, Stefano: Mondo virtuale. Segnocinema 13 (July–Aug. 1993) no. 62. p. 53.
  • del Río, Elena: The Body as Foundation of the Screen: Allegories of Technology in Atom Egoyan’s Speaking Parts. Camera Obscura (May 1996) no. 38. pp. 92–115.
  • Girard, Martin: Rôles parlants. Séquences (Jan. 1990) no. 144. pp. 52–53.
  • Grugeau, Gérard: Au-delŕ des images. Les élans du coeur. 24 Images (Nov.–Déc. 1989) no. 46. pp. 4–9.
  • Putter, Jos de–Dominicus, Mart: Atom Egoyan en de hedendaagse beeldcultuur. ‘Wij zijn slechts gefascineerd’. Skrien (Aug.–Sept. 1990) no. 173. pp. 26–33.
  • Ramasse, Francois: La vidéo mode d’emploi. Positif (Sept. 1989) no. 343. pp. 13–15.
  • Taubin, Amy: Up and Atom. Film Comment 25 (Nov.–Dec. 1989) no. 6. pp. 27–29.
  • Younis, Raymond: Speaking Parts. Filmnews 21 (Apr. 1991) no. 3. pp. 12–13.

The Adjuster [A kárbecslő]

  • Castiel, Ëlie: L’expert en sinistres. Séquences (Jan. 1992) no. 156. p. 56.
  • De Bruyn, Olivier–Rouyer, Philippe: Atom Egoyan. Br–lantes solitudes. Jeux de miroirs. Positif (Déc. 1991) no. 370. pp. 20–26.
  • Engvén, Ingvar: Den gode mannen. Filmrutan 35 (1992) no. 2. pp. 34–36.
  • Goethals, Piet: Atom Egoyan. Over voyeurisme en ma ni pulatie. Film en Televisie (Dec. 1991) no. 415 p. 21.
  • Koll, Horst Peter: Der Schätzer. Film-dienst 45 (21 Jan., 1992) no. 2. p. 20.
  • Koskinen, Maaret: Hemloshetens dramaturgi. Chaplin 34 (1992) no. 2. (239) pp. 63–64.
  • Kühn, Heike: Der Schätzer. EPD Film 9 (Feb. 1992) no. 2. p. 42.
  • Liszka Tamás: A kárbecslő neve. Metropolis 2–3 (1998–99) no. 4–no.1. pp. 120–127.
  • Privet, G.: Le confort et l’indifférence. 24 Images (Nov.–Déc. 1991) no. 58. pp. 58–59.
  • Rakovsky, Antoine.: It’s got to be the touching. La Revue du Cinéma (Déc. 1991) no. 477. pp. 30–31.
  • Romney, Jonathan–Case, Brian: Aural Sex: Lust in space. Time Out (27 May, 1992) no. 1136. pp. 18–19.
  • Romney, Jonathan: The Adjuster. Sight & Sound 2 (June 1992) no. 2. p. 61.
  • ‘Suze’: The Adjuster. Variety 343 (27 May, 1991) no. 7. p. 81.
  • Taubin, Amy–Romney, Jonathan: Burning down the House. The Adjuster. Sight & Sound 2 (June 1992) no. 2. pp. 18–19, 38.
  • Walder, M.: ‘Déjŕ vu/jamais vu’ – The Adjuster and the Hunt for the Image. Canadian Journal of Film Studies 2 (1993) Nos. 2–3. pp. 129–144.

Montréal vu par... six variations sur un thčme (Montreal Sextet)

  • Ayscough, Susan: Montréal vu par... (Montreal sextet). Variety 345 (18 Nov., 1991) no. 6. p. 31.
  • Demers, P.–Rousseau, Yves: Montréal vu par... Yvan Adam. Images d’une ville plurielle. 24 Images (Winter 1992) no. 59. p. 36., pp. 68–69.
  • Houle, Michael: Montréal vu par... ou la grande bouffe des courts métrages. Revue de la Cinémathčque (May-June 1991) no. 11. pp. 9–10.
  • Larue, Johanne: Montréal vu par... Séquences (Jan. 1992) no. 156. pp. 53–54.

Calendar

  • Anwar, Farrah: Calendar. Sight & Sound 4 (Feb. 1994) no. 2. p. 49.
  • Elley, Derek: Calendar. Variety 250 (1 March, 1993) no. 5. p. 58.
  • Grob, Norbert: Aufbruch ins Extreme – Bodrow und Egoyan. EPD Film 10 (Apr. 1993) no. 4. pp. 4–5.
  • Longfellow, Brenda: Globalization and National Identity in Canadian Film. Canadian Journal of Film Studies 5 (Fall 1996) no. 2. pp. 3–16.
  • Lux, Stefan: Calendar. Film-dienst 46 (11 May, 1993) no. 10. p. 25.
  • Marks, Laura U.: A Deleuzian Politics of Hybrid Cinema. Screen 35 (Autumn 1994) no. 3. pp. 244–264.
  • Remy, Vincent: Calendar. Télérama (22 Mar., 1995) no. 2358. p. 46.
  • Rollet, Sylvie: Le lien imaginaire. Une poétique cinématographique de l’exil. Positif (Mai 1997) no. 435. pp. 100–106.
  • Rother, Hans-Jörg: Die nationale Karte. Film und Fernsehen 21 (1993) no. 4. pp. 76–77.
  • Wolf, Ren: Emoties achter de cameralens. Skrien (Aug.–Sept. 1993) no. 191. p. 14.

Exotica

  • Banning, K.: Lookin’ in All the Wrong Places: The pleasures and dangers of Exotica. Take One 2 (Fall 94) no. 6. pp. 14–20.
  • Benjo, Caroline: La traversée des apparences. 24 Images (Sept.–Oct. 1994) Nos. 73–74. pp. 48–49.
  • Carels, Edwin: De bioscoop als biotoop. Andere Sinema (Jan.–Feb. 1995) no. 125. pp. 5–7.
  • Dubeau, Alain: Exotica: l’anti-catharsis canadienne. Séquences (Nov.–Déc. 1994) no. 175. p. 33.
  • Klady, Leonard: Exotica. Variety 355 (16 May, 1994) no. 3. p. 40.
  • Kömlődi Ferenc: Virtuális szeretők. Filmvilág 40 (1997) no. 9. pp. 33–35.
  • Lipman, Amanda: Exotica. Sight & Sound 5 (May 1995) no. 5. p. 45
  • Lux, Stefan: Exotica. Film-dienst 47 (20 Dec., 1994) no. 26. pp. 24–25.
  • Mahrenholz, Simone: Exotica. EPD Film 12 (Jan. 1995) no. 1. p. 35.
  • Nacache, Jacqueline–Bassan, Raphačl: Exotica. Atom Egoyan: transfert d’identité. Mensuel du Cinéma (June 94) no. 18. pp. 19–21.
  • Nummelin, Juri: Exotica. Filmihullu (1996) no. 5 pp. 45–46.
  • Ostria, Vincent: Trompe-l’oeil. Cahiers du Cinéma (Déc. 1994) no. 486. pp. 58–59.
  • Prokopov, Alena: Exotica Atoma Egoyana. Film a Doba 41 (Autumn 1995) no. 3. pp. 162–161.
  • Rayns, Tony: Everybody knows. Sight & Sound 5 (May 1995) no. 5. pp. 9.
  • Remy, Vincent: Exotica. ‘Tous mes films sont des strip-teases’. Télérama (Nov. 30, 1994) no. 2342. pp. 102–104, 106.
  • Romano, Hélčne: Exotica. Jeune Cinéma (Jan.–Feb. 1995) no. 230. pp. 44–45.
  • Romney, Jonathan: Exploitations. Sight & Sound 5 (May 1995) no. 5. pp. 6. [Magyarul Romney: Gyászmunka. (ford. Nagy Eszter) Filmvilág 39 (1996) no. 7. pp. 36–37.]
  • Sennhauser, Michael: Verführung zur Ge meinschaft. Filmbulletin 39 (June 1997) no. 3. (212) pp. 12–15.
  • Wise, Wyndham: The true meaning of Exotica. Take One 3 (Fall 1995) no. 9. p. 56.
  • Wisniewski, Cezary: Miedzy kasa a Freudem. Kino 28 (Dec. 1994) no. 330. p. 19.
  • Younis, Raymond: Exotica. Cinema Papers (Dec. 1995) no. 107. p. 45.

The Sweet Hereafter [Eljövendő szép napok]

  • Bouquet, Stéphane: Parents soucieux. Cahiers du Cinéma (Oct. 1997) no. 517. p. 77.
  • Egoyan, Atom–Rayns, Tony: Recovery. The sweet hereafter. Sight & Sound 7 (Oct. 1997) no. 10. pp. 20–23., 60–61.
  • Elia, Maurice: The sweet hereafter. Visages dans le brouillard. Sarah Polley sur tous les fronts. Séquences (Nov.–Déc. 1997) no. 193. pp. 39–41.
  • Glassman, Marc: The sweet hereafter. Take One 6 (Winter 1998) no. 18. p. 42.
  • Jousse, Thierry: De beaux lendemains. Cahiers du Cinéma (June 1997) no. 514. p. 26.
  • Kelly, Brendan: The sweet hereafter. Variety 367 (May 19, 1997) no. 3. p. 54.
  • Lamy, Régis: De beaux lendemains. Jeune Cinéma (Nov.–Déc. 1997) no. 246. pp. 40–42.
  • Marsolais, Gilles: Une vérité née du mensonge. 24 Images (Autumn 1997) Nos. 88–89. pp. 34–35.
  • Oosterom, Chris: Verborgen geschiedenissen. Skrien (Mar. 1998) no. 221. p. 60.
  • Pevere, Geoff: Atom Egoyan’s The Sweet Hereafter: Death, Canadian Style. Take One 6 (Fall 1997) no. 17. p. 6.
  • Plahov, Andrej: Na holmah Armenii. Iszkussztvo Kino (Nov. 1997) no. 11. pp. 11–13.

Interjúk, beszélgetések

Speaking Parts

  • Pastor, A.–Turco, D.: Conversazione con Atom Egoyan. Filmcritica 40 (June–July 1989) Nos. 396– 397. pp. 388–393.
  • Racine, Claude: Les affres de l’image. 24 Images (Summer 1989) no. 43. pp. 10–11.

The Adjuster

  • Garel, Sylvain: Atom Egoyan. Le cinéma comme obsession. Cinéma (June 1991) no. 478. pp. 43–44.

Calendar

  • Reschop, J.–Roy, André: Entretien avec Atom Egoyan. Une machine célibataire. 24 Images (Summer 1993) no. 67. pp. 62–66.
  • Rothe, Markus: A propos de Calendar. Rencontre avec Atom Egoyan. Jeune Cinéma (Apr. 1995) no. 231. pp. 21–26.

Exotica

  • Johnston, Trevor: Atomic energy. Time Out (Apr. 26, 1995) no. 1288. p. 71.
  • Nordfeldt, Per Axel: Exotica! Chaplin 34 (254) (1994) no. 5. pp. 58–61.

The Sweet Hereafter

  • Grant, Steve: Holm sweet Holm. Time Out (Sept. 10, 1997) no. 1412. pp. 22–23.
  • Porton, Richard: Family romance. An Interview with Atom Egoyan. Cineaste 23 (Dec. 1997) no. 2. pp. 8–15. [Magyarul lásd: Családi románcok. Beszélgetés Atom Egoyannal. (ford. Harmati Enikő) Metropolis 2–3 (1998–1999) no. 4.–no. 1. pp. 134–147.]

Átfogó írások

  • Balázs Attila: Arsinée Khanjian szemöldöke. Turkáló az Atom Ego-videótékában. Filmvilág 39 (1996) no. 7. pp. 39–41.
  • Báron György: Atom Egoyan. Magyar Narancs (1994. október 6.) Titanic melléklet p. III.
  • Báron György: Hideg fej, hideg szív, játékos test. Filmvilág 36 (1993) no. 11. pp. 34–37.
  • Harcourt, Peter: Imaginary Images. An Examination of Atom Egoyan’s Films. Film Quarterly 48 no. 3. (Spring 1995) pp. 2–14.
  • Horváth Antal Balázs: A magány mozaikképei. Filmvilág 40 (1997) no. 9. pp. 28–32.
  • Jones, Kent: Body & Soul. The Cinema of Atom Ego yan. Film Comment 34 (Jan.–Feb. 1998) no. 1. pp. 32–39.
  • KimergĹrd, Lars Bo: Familie, fremmedgrelse og elektronisk oplosning. Kosmorama 40 (Winter 94) no. 210. pp. 27–32.
  • Nánay Bence: A káosz rítusai. Az Egoyan-dramaturgia. Filmvilág 39 (1996) no. 7. pp. 35–38.
  • Shary, Timothy: Video as Accessible Artifact and Artificial Access: The early films of Atom Egoyan. Film Criticism 19 (Spring 1995) no. 3. pp. 2–29. [Ma gya rul lásd: A video mint hozzáférhető mű és művi hozzáférés. Atom Egoyan korai filmjei. (ford. Kaosi Ildikó) Metro polis 2–3 (1998–1999) no. 4.–no. 1. pp. 102–119.]
  • Rollet, Sylvie: Le cinéma d’Atom Egoyan. ‘A la pointe extrčme de la conscience.’ Positif (Déc. 1994) no. 406. pp. 84–87. [Magyarul lásd: Rollet: Atom Egoyan filmjei. Az öntudat legvégső határán. (ford. Földes Györgyi) Metropolis 2–3 (1998–1999) no. 4.–no. 1. pp. 128–132.]
  • Varga Balázs: A képernyő árnyékában. Filmkultúra 31 (1995 február) no. 2 pp. 21–14.
  • Varga Balázs: Kívül és belül. Atom Egoyan filmjei. Metropolis 2–3 (1998–1999) no. 4.–no. 1. pp. 92–101.
  • Virilio, Paul: Filmek hátramenetben. Virtuális beszélgetés Atom Egoyannal. (ford. Ádám Péter) Filmvilág 40 (1997) no. 9. pp. 35–37.
  • Zach, Ondrej: Video, lzi a sex ve filmach Atoma Egoyana. Film a Doba 38 (Winter 1992) no. 4. pp. 201–203.

Folyóiratok tematikus összeállításai

  • Positif (Déc. 1994) no. 406. pp. 74–94.
  • Positif (Oct. 1997) no. 440. pp. 11–21.
  • Metropolis 2–3 (1998–1999) no. 4.–no. 1. pp. 91–154.

Könyvek, forgatókönyvek

  • Atom Egoyan. (ed. Daniele Rivičre) Paris: Editions Dis Voir, 1993.
  • Speaking Parts. Toronto: Coach House Press, 1993.
  • Exotica. Toronto: Coach House Press, 1995.

Web-oldal

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